Recently, I have had several conversations with directors about flipping the gender roles from male to female without changing any of the dialogue or the actions of the character, or indeed the response of other characters to them. The film fell over at least three times while we were making it and we all threw the spare change we were earning right back, making it stay afloat.
Often when people write for women on screen, by default, they write more sympathetically and blandly and I think that’s a shame. Todd Haynes is a glorious, outrageous filmmaker whose synapses have been uniquely misconnected. I don’t understand the question to be honest – it presupposes that women are unwitting participants in some tragic filmic game of roulette and that it would make them feel better if men were forced to join in. No one forces you to become an actor and being an actor in the wonderful, non-degraded sense of the word is still a fascinating and exciting way to spend one’s time.
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I think we all wanted a piece of his universe as much as we did a piece of Dylan’s genius, but honestly, a sock down my undies and being way too skinny clinched it for me physically. The desperate, the deviant, the withdrawn, and the anti-hero: these are just a few among the many character traits you’ve inhabited. It’s always easier to draw these lines in retrospect. It’s always endlessly disappointing – the distance between what one imagined took place, what one dreamt, or hoped was captured by the camera, and what was actually captured. Call me old-fashioned but acting is not selling an audience snake oil – that’s the marketing department’s job and they are welcome to it.